There she is, scantily clad on the cover of the new Rolling Stone, machine guns protruding from her bra like a Quentin Tarantino-ized version of "Austin Powers' " fembots.
It's the latest in a line of provocative images from
Lady Gaga, following the cross-dressing religious imagery of her video for "Alejandro," the fetishized violence of the "Telephone" video and her performance in a giant celebrity meat grinder at the Grammys.
She's even managed to upset representatives of both New York baseball teams: She strolled, uninvited, into the Yankees' clubhouse, igniting the anger of co-chairman Hal Steinbrenner, and Mets fan Jerry Seinfeld called her a "jerk" for flipping the bird at Citi Field (and spending some time in Seinfeld's empty box).
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